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Qohelet: Time and Happiness

[Original German Blog Post]

Turn! Turn! Turn!
To every thing there is a season, and a time to every purpose under the heaven:
A time to be born, and a time to die; a time to plant, a time to reap that which is planted;
A time to kill, and a time to heal; a time to break down, and a time to build up;
A time to weep, and a time to laugh; a time to mourn, and a time to dance;
A time to cast away stones, and a time to gather stones together;
a time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose; a time to keep, and a time to cast away;
A time to rend, and a time to sew; a time to keep silence, and a time to speak;
A time to love, and a time to hate; a time of war, and a time of peace.

What is the essence of our life? It is the moment that we live to see. In it we find our expectations of the future as well as our memories of what has passed. Thus our life flows moment after moment through our consciousness. Everything that we experience has its moment in time – and by nature our life span is limited:
“Live is just too short, to mess about with bad things.” is one basic idea of this Slow-Media-Blog.

There is a book in the bible that that deals in general and at the same time in a practical way with this essence and the meaning of the limited life time: Qohelet (in Hebrew קֹהֶלֶת‎, chairman, thus Ecclesiastes in Greek, Preacher in the King James Version and Teacher in the New International Version). Qohelet is among the most interesting contemplations on the essence of time – as the season, as limit to our facilities and particularly on the paradox of the steady flow, that creates the illusion of progressing, of causes and effects, that emerges from the sequence of the events in our imagination. From these conditions of time – limitation, steady flow, pretended progress – Qohelet develops his ethics and is set next to the other time-philosophers of his time – Heraclitus and Parmenides. In our context, we look especially to the question of good life with the right time.

To every thing there is a season, and a time to every purpose under the heaven (Eccl 3,1). And this says that also the joys and the beautiful things of life have their very hour that will not come again, when it has passed – and it’s a pity, for we shall never have enough of these (The eye is not satisfied with seeing, nor the ear filled with hearing. Eccl 1,8):

Then I commended mirth, because a man hath no better thing under the sun, than to eat, and to drink, and to be merry; (Eccl 8,15). Go thy way, eat thy bread with joy, and drink thy wine with a merry heart; for God now accepteth thy works. Let thy garments be always white; and let thy head lack no ointment. Live joyfully with the wife whom thou lovest all the days of the life of thy vanity, which he hath given thee under the sun, all the days of thy vanity: for that is thy portion in this life, and in thy labour which thou takest under the sun. Whatsoever thy hand findeth to do, do it with thy might; for there is no work, nor device, nor knowledge, nor wisdom, in the grave, whither thou goest. (Eccl 9,7-10)

***

.הֲבֵל הֲבָלִים אָמַר קֹהֶלֶת, הֲבֵל הֲבָלִים הַכֹּל הָבֶל
Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity. (Pred 1,2)

Our efforts may not change much in the word – but very well we ourselves get changed by our labour. Whoso removeth stones shall be hurt therewith; and he that cleaveth wood shall be endangered thereby. (Eccl 10,9). So our pursuit becomes not futile – it changes merily the meaning of our actions in relation to the results. The quest for completion, for the final result as a goal, is meaningless; no item, also no intangible item like scientific knowledge or the creation of a work of art will redeem us, as long as we think, “If we had just achieved this or that, then we made it!”. Despite this bourgeois hope, life does not consist of fulfilment but of action, of labour and toil, of eating and drinking, of loosing and keeping, and so on. Only as long as we live, we can live to see: For to him that is joined to all the living there is hope: for a living dog is better than a dead lion. (Eccl 9,4) So happiness does not mean fulfillment, it is not the purpose of life but being happy is a means to a good life: Simcha, שִׂמְחָה‎, the happy-being is in this concept of jewish philosophy – like with the Hassidic teacher Rabbi Nachman of Breslov the precondition of morally good life: “Mitzvah gedolah le’hiyot besimcha tamid” – it is the great commandment to always be happy.

And this is the core proposition of Qohelet: That our life is too short, to not seek for the beauty in it, for in just the consciousness thereof we are different from the animals: For that which befalleth the sons of men befalleth beasts; even one thing befalleth them: as the one dieth, so dieth the other; yea, they have all one breath; so that a man hath no preeminence above a beast; (Eccl 3, 19) And how dieth the wise man ? as the fool. (Eccl 2,16)
This however requires peace and quiet:

Be not rash with thy mouth, and let not thine heart be hasty. (Eccl 5,2)

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Digital Literacy
My fourth day without Google.

[Original German Blog Post]

“Ask any kid what Facebook is for and he’ll tell you it’s there to help him make friends. [...] He has no idea the real purpose of the software, and the people coding it, is to monetize his relationships. He isn’t even aware of those people, the program, or their purpose. [...]
The kids I celebrated in my early books as “digital natives” capable of seeing through all efforts of big media and marketing have actually proven *less* capable of discerning the integrity of the sources they read and the intentions of the programs they use.”

Douglas Rushkoff

Vilém Flusser would have called Google a contraption of the kind that is functionally very simple but structurally highly complex. About such contraptions, Flusser had always warned us: to control these is nearly impossible – too much specialist knowledge from different disciplines would be therefor necessary; to get controlled by them by contrast would be very easy: they are useful to us and easily accessible for everyone – even without expertise.

What is true for using the Internet in general, should be important to us for Google in particular. In September, according to Comscore, short of fifty million Germans had accessed Google, which is approximately 90% of Germany’s online population; every single one of these fifty million visitors hit Google’s pages forty times in average. And while most of the users would answer the question on the reason of existence of Google similarly correlated with the benefit for themselves, it becomes obvious, latest with the publication of the quarterly numbers, that Google is in the meanwhile probably the most efficient advertising channel among all media – at least regarding performance.

People behind SEO and SEM have learned to understood Google in that very sense. And to make it thus clear of what kind these search-experts are, there is a nice pictorial classification in two wings:
the Black-Hats – the villains from the western, that systematically exploit the weaknesses of the search-algorithms, that are unavoidable with systems that complex, and the White-Hats, how in IT-business such security experts that are the “good” hackers, that should help to stabilise systems with their knowledge are called.

For us users, it does not matter in the end, if we are drawn to some page we would not want to visit, by a dark Black Hat, or if a White Hat, an employee of a “respectable search agency” had optimised the search so we would get results we also would not want to get. However the ambiguity of the sound of these terms in the English language is nice: Blackhead and Whitehead are both just acne. That means, also the SEO-Pros, that do perhaps see themselves as the heroes with the white hat, are immediately associated with the nuisance of skin impurities.

“When human beings acquired language, we learned not just how to listen but how to speak. When we gained literacy, we learned not just how to read but how to write. And as we move into an increasingly digital reality, we must learn not just how to use programs but how to make them.

Digital tools are not like rakes, steam engines, or even automobiles that we can drive with little understanding of how they work. Digital technology doesn’t merely convey our bodies, but ourselves.

At the very least we must come to recognize the biases – the tendencies- of the technologies we are using.”

Douglas Rushkoff goes on.

Digital Literacy does not only consist of knowing the where and how to retrieve relevant information; it is not just about to be able to judge a source’s quality or to take care in spreading personal data. Digital Literacy means at the very first to distinguish which interests effect the Internet, which intentions lie beneath the offering of certain services, and too comprehend the technological base thereunder.

And in the same way, as we not only learn to hear but also to speak, not only to read but also to write, digital literacy does not get complete before we become not only passive users but take active action. We should all have the capability to do SEO – at least in a basic form. We should utilise the functionality of those contraptions for our means, in the same way, the search engine optimisation people do, and to take just as good as we can, our share out of these structures.

Or how Benedikt Kühler remarks: “Machines exist to serve us. There is something to learn from culture of the Hacker for media makers: not to submit to the machines, neither reject, but to take advantage of the machines, to even downright exploit them!”

At this moment I am sitting at Schwechat. It is a wonderful autumn day and yesterday again, it was hardly difficult to keep away from search engines. All links that I would have needed, e.g. to prepare this journey, I found on Wikipedia or was recommended to by my friends.

Read more:
“The Army of Technological Slaves.”

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Cenorship?!
My third day without Google.

[Original German Blog Post]

Leave aside the fact that Google was happy to censor results for China until its servers were hacked. The fact is, Google still censors search results in other countries at the request of their governments. [...] Censoring results for years, shifting course for entirely unrelated reasons, and then vilifying competitors who don’t jump on the bandwagon. (Though, of course, completely Google’s prerogative.) But it’s particularly hypocritical when Google is still happily censoring its search and YouTube products for other countries.
http://www.businessinsider.com

Today’s post on my using the Net without search engines I wrote in Berlin. Accordingly it is burdened with state carrying significance.

The indifferent position of Google, Microsoft and other media conglomerates – up to being willingly supportive to regimes of injustice – should earn our harshest criticism. Reports like Google giving in with the French authorities leave also a feeling of helplessness. What happens if such a core part of our communication infrastructure can be bound by mere administrative acts?

Obviously something is missing: to respect online media as more and more relevant platforms of the formation of our political and social opinion; to grant online media the constitutional and administrative rank, that they should get for long by their relevance.

With censorship we usually associate violent suppression of critical opinions or positions that deviate from the mainstream. The expatriation of Ovid, the church’s index, the bourgeois-authoritarian censorship in Metternich’s Deutscher Bund – to the murderous systems of totalitarian censorship in the twentieth century: at first sight there are few reasons, why it should be allowed to states, to limit free speech and the access thereto.

However, taking a more subtle perspective, there are very well some points why we do have the right to argue with Google. Defamation, breaking laws, hate speech, all this is banned from media with good reason. And with good cause there is the Press Council and the option to go to court. We should not let us getting persuaded, that our asking for keeping to democratic rights would be breaching the dyke (what a metaphor!) for censorship and would take us the legitimation to promote globally our understanding of freedom of opinion.

To regard the Internet as today’s broadcasting, as the Bavarian prime minister has demanded in his key note to this year’s Medientage München Conference, I consider completely justified. The Internet not just takes the role that broadcasting used to hold, it even today does much more in distributing opinion, information and entertainment, than the publishers or broadcasters would ever have.

So it is even more important to take care for plurality, for a multitude of offerings, amongst which also the publicly funded, cultural and journalistic freedom should be found.

Although I am living my third day without search engines, I am not that naïve to believe my own Google-fasting to be more than a temporally limited abstinence: I do not want to abandon search engines permanently or totally. I wished that out Europe’s sicieties’ centre would form a liberal civil rights movement, articulating attractive alternatives of the kind of Wikipedia or OpenStreetmap in the Net.

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Orientation with OpenStreetmap
My second day without Google.

[Original German Blog Post]

Today again no search engines.

My day today is a day of travel. Munich-Dusseldorf, then further to Berlin. To get oriented in Dusseldorf, I use OpenStreetmap. Where is the difference to Google Maps? OpenStreetmap is a Wiki-project. It is open. I can participate. Of course, Google Maps also offers the option to create and publish your own maps. The interface that Google connects with other applications is fantastically simple. But it makes a difference, if I am just able to generate my own layer, as it would be not possible otherwise with proprietary projects of the kind of Google Maps, or if I can work in the very core of the system.

Similar to Wikipedia, the revision history of the maps’ details very interesting and saves the completely arbitrary “extinction” of objects, like it is often seen on Google Maps. When maps get updated, the old versions are no longer available for us. There is no history.

Apart from the honesty to make visible and document the development and the (hoped for) steady improvement of the maps with every step of revision, it is the discussions, that some contributions provoke, that tell a far more vivid story compared to a simple map, where you could only speculate on the “why” of the existence – or even the lack – of an entry. Google usually does not tell about its motives.

Georgia without details on Google Maps
And sometimes it is just bizarr what is left out by Google Maps. The mysterious clouds that stretch over certain buildings – in a way much more discrete than having the sight pixeled! Or whole countries, that vanish away from one day to the other, Georgia for example, not showing anymore information at all, since the Georgia War 2008. And of course all details are still available on OpenStreetmaps .

Wikipedia and its sister projects are not perfect. The arbitrariness and the rude manners of some administrators have been complained of many times – and with good cause. But all that is happening is in the open and should – at least in principle – be inviting to participate.

I wish that more communal administrations would contribute to such projects, would take their space there and would thus make available their taxed-financed data for us, like done in e.g. Augsburg. How nice it would be, if the beautiful data offered by the Bavarian state office for the preservation of monuments (Bayerische Landesamt für Denkmalschut)z or the water authority would get an open interface to connect to other data without any change in format. For now it is on us to populate OpenStreetmap with historic monuments, districts and the like and make it so available.

Today again, I am very satisfied. I have once more the feeling that it was nearly totally worthwhile to have spent my time for what I have read online. And I got along securely on unknown territory – by foot and by public transport – even without Google.

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Valueable recommandations
instead of fruitless rummaging.
Without Google: Day 1

[Original German Blog Post]

Yesterday, I made my mind to abandon all search engines for some time; so I would not hesitate to tell how my using the Internet is changed by that.

The most important means to get to valuable information, are my networks, Twitter at first. I would not want to get lost in a trivial eulogy on the great Web 2.0. However I have a strong feeling of security, to get all paths of the Internet that I would really want to follow, rolled out for me by my peer-group’s posts.

For the first time I bothered to watch in detail which links I would get recommended in my Twitter-timeline. Until now I had presumed that I would have clicked more or less at random on the one or the other link. To get a more objective picutre I now archived every link that I would see as worth following in a list.

After adding came the surprise: I had in deed looked on about half of the Links from my timeline! Hardly there is any Spam. In fact, behind the links there lie almost always articles worth reading or pictures, that at least I would find funny. This efficiency in supplying content I find remarkable.

Here is the list of links, that I would have judged relevant to follow yesterday evening:

… and tomorrow it will go on. Also I am looking forward on the parallel report of @dasrhizom!

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Without Google.

[Read this post in German]

“The world is not a ball”. The night is made by the shadow, thrown by the mountain of the north. Changing the perspective like shown here, in the “Christian Topography” by Cosmas Indicopleustes. I would probably not have found that via Google.

Figure from Cosmas Indicopleustes, Christian Topography, Ed. J. W. McCrindle, Calcutta 1897

The strongest arguments prove nothing so long as the conclusions are not verified by experience. Experimental science is the queen of sciences and the goal of all speculation.
Roger Bacon

I have made my mind to start an experiment: I shall not use Google’s search from now on.

Location and occasion that gave birth to this idea was an extended and lively discussion with Benedikt Köhler, Peter T. Lenhart and Sigrid Schwarz that took place last Friday at Galerie Royal – just suited for the following.

Why did we end up with this idea?

There is trigger and a cause for my decision. Last Friday I had – like so many times before – tried to find information on a certain product or brand by googling. Among the first ten pages of hits, that meas the first hundred web-sites that Google took for relevant regarding my search, there was not a single link that was truly connected to my search term. Without exception there were just portals for price comparison, portals for recommendation or retailers – and a random sample of links checked made it clear quickly that none of the clicked companies would in fact offer the thing I was looking for, at all. “Find Machiavelli cheep at eBay”, “Buy house dust mites at best price at Amazon” – this was the catalyst, but nothing more. I do not want to get into a lament on the bad habit of SEO/SEM-industry, that bilk us of our lifetime and their spam they send us by their creepy and impertinent tricks, wasting our bandwidth. This is all commonplace.

The cause for my experiment, no longer to search with Google, goes deeper. A search engine takes a word or several words which I put into it and delivers the pages in the Net, on which those words can be found – ranked by their algorithms. The search engine is thus the extension of what used to be a book’s index. An index leads me quickly to the things that I already knew. I can retrieve the quotes from a book. However an index does not replace the table of contents, let alone an abstract.

At first it appears to be a great relief to have information at hands in full text. What really takes place however, is that we just skip to thoroughly work through a topic, because we can easily quote and reuse our search results anyway. Instead of risking our own thoughts, we “stand on the shoulders of giants” and these giants seem so overpowering superior, that any resistance seems futile. We have so much at our disposition that it appears impossible to contribute anything other then a collage of what has been already existing. This eclecticism has very well its aesthetic quality. But I personally have an increasing feeling that I do no longer retrieve anything real, and even more, to conceive something, the more I acculturate the technology of search.

This feeling of worthless wast of time I usually do not get from content that is recommended by my friends on Twitter or Facebook or that I find on the blogs I regularly read. Often I click on a link in my Twitter timeline without in advance seeing, where it will lead to, for it is shortened by bit.ly or similar services, and thus I hit the completely new and unexpected, and not rarely this can go on link by link in directions that I would not have predicted.

Also what I may find on social information-networks like Wikipedia or OpenStreetMap, usually does mean a lot more to me then the algorithmic results of search engines. Not at least this is my motivation to contribute myself something I would belief that others might want to find it.

I do not appreciate total abstinence from the Internet. Fasting does in deed not mean to hunger, but to consciously keep within some rules of abstaining from food and make conscious what we let go.
My experiment – no Google – just the Web – shall bring clarity to me very personally, what position search takes for me and how it changes me and my work in the Internet. I will try to report my experiences here.

Further reading:
The End of History – for creative professionals.
On Lent
Slow Media and borrowed time
“So literature collapses before our eyes” – Non-Commodity Production

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Slow Coding

by Regine Heidorn, Bit-Boutique®.

[Read this post in German]

The breathtaking speed with which some products arising from programming like software or websites seem to be developed may mislead over the fact that programming is not a fast kind of work.

Code is poetry – the slogan absorbed by WordPress – stands for one of the many movements of digital poetry coming into existence with the arrival of Zuses computers in the mid 1950s. Artificial texts result from the programmatic exchange of words as for example “Substitute each n-th noun of a text by the n-th following noun of a certain dictionary.“ – one of the experiments of Oulipo (Ouvroir de Littérature Potentielle, Working Group for Potential Literature), formed in 1960 in France, who viewed text as a fabric and fathomed the potential of aesthetics of artificial texts under laboratory conditions.

Code is poetry – in regard to the production of programming code requirements are compressing to efficient because dense production of text. Characterized by the least possible number of lines of code and characters in preferably clear nomination of either the elements of the underlying programming language and the author-chosen elements like variables and functions. The less characters and lines of code the less typewriting for the code-genesis. The more meaningful the nomination, the less semantically unambiguous, the easier the maintainability of the code. Various discussions about the structure of an ideal programming language gather around those basics.

The sense of programming is, similar to assembly line production of bulk goods, to split operations into recurring steps. Being the definition of a first criteria for the usage of programming: the operation to be programmed is anticipated as a concept which is the base for estimating expenses. Anticipating too much speed in this stage means running the risk of exploding budgets. That may result in unmanagable projects. Thus revealing another criteria for the usage of programming: the expenses of programming are measured by the defined purpose of a production step or an operation consisting of several such steps. Transformation into programming will be worth the trouble if expenses for the development of a programmed product and the integration into existing operations fall short of the expenses for operations to be substituted.

This approach is based on the assumption that the expenses of programming could be determined in advance. In fact it‘s only infrequently possible to reuse already existing software or script-libraries without verifying their applicability for the specific project-case. Programming processes contain a variety of basic requirements that are subject to permanent technical change: the chosen programming language itself is subject to change as is our everyday language. Some wellknown script-libraries or frameworks may not be maintained anymore, (new) hardware might be incompatible to some well-established programming-habits, the clients‘ usage of outdated hard- and software might prevent the usage of already established innovations in programming, maybe the hard- and software to be programmed for is already patched specifically and thus may avoid further extension. If in the latter case the documentation is incomprehensible or, worse, doesn‘t even exist, expenses are becoming incalculable. Constantly security vulnerabilities are discovered prohibiting the usage of up to then valid script-snippets. Losses in performance evolving from a certain programming-habit might force to switch to a completely new way of programming for projects being more complex.

All those conditions make up for one basic requirement of a programmer: re-reading. Rereading of own programming code for up-to-dateness and compatibility. Rereading the code of others in order to patch it with own extensions. Rereading of programming languages in order to check for the parts needed to realise individual project objectives. Rereading the code to check the criteria for security and compatibility. That‘s why programmers live in constant consciousness that their code on the date being delivered certainly is state-of-the-art but nonetheless already outdated.

“Re-reading, an activity totally against commercial and ideological habits of our society, calling us to ‘throw away‘ history as soon as consumed (…) so that we have to pass on to another story, buying a new book … re-reading is suggested here to begin, because it solely prevents the text from repetition (the ones not being able to re-read are forced to read the same (hi)story everywhere).“ (translation into English by Regine Heidorn)

Roland Barthes states in 1981.

Rereading is preventing code from repeating his history: reproduction of incompatibilities and security vulnerabilities. Cementing intricate programming and incomprehensible nomination resulting from not reflecting the use of already existing code. Adopting useless functions for the actual project that might become incalculable reasons for misfunctions. Transporting routines that might not have any function at all because they were solely coded to meet specific requirements of the previous project.

“The ones not being able to re-read are forced to read the same (hi)story everywhere“ – this is exactly what‘s happening eg to webdesigners who learned their HTML at the beginning of the 1990s and didn‘t change their habits of code-production. The result are websites based on outdated code and being incompatible to innovations such as mobile internet usage. Superfluous to tell that rereading requires time, same applies for checking the requirements for programming to establish realistic project-budget and schedule.

Code is poetry – on the contrary to prose poetry is dense – few words transport compressed meanings. Meanings also subject to change in programming languages and occasionally producing trivial redundancies. “For the master craftsperson, great code and great poetry are lean and trim, with no excess of words or other unnecessary elements.“ states Matt Ward in Smashing Magazine. Programming is a creative process demanding concentration. Slow coding thus is not a sophisticated postulate of aesthetic polemics but a semantic redundancy, a pleonasm. Which as a rhetoric figure is of ongoing importance because the breathtaking speed with which some products arising from programming like software or websites seem to be developed may mislead over the fact that programming is not a fast kind of work.

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“So literature collapses before our eyes” –
Non-Commodity Production

Enhances
private authorship, the competitive goal-oriented individual
Retrieves
tribal elitism, charmed circle, cf. the “neck verse”



Medium:

Print

Reverses
With flip from manuscript into mass production via print comes the corporate reading public and the historical sense
Obsolesces
slang, dialects and group identity, separates composition and performance, divorces eye and ear

McLuhan’s tetrad-model: four aspects of the effect of media on culture and society. This example Print and the second one Xerox are quoted from “The Global Village” by McLuhan and Powers, Oxford University Press 1989.

The idea of copyright – the right to retain publication of one’s own words – is much younger than other forms of intellectual property laws. Patents to protect the economic exploitation of technological invention, for example, have been granted by the city’s sovereign since the times of ancient Greece. But not sooner than in the 18th century the perceived value added to a society and its economy by the written word would justify a legal concept to aliment writers. The first copyright law clearly formulates this goal in its title: “An Act for the Encouragement of Learning, by vesting the Copies of Printed Books in the Authors or purchasers of such Copies, during the Times therein mentioned“, also called the Statue of Anne.

Yesterday, Bruce Sterling cried out his concern about the future of literature in three Tweets:

“*Economic calamity that hammered music hits literature. The “solution” for writers? There isn’t one.
So literature collapses before our eyes, while the same fate awaits politics, law, medicine, manufacturing… finance and real estate…
Diplomacy, the military… we’re not gonna die of this, but man, the deeper 21st century looks like nothing anyone ever imagined.” (1,2,3)

The catch-all political party, trade unions, music industry, newspapers, advertising and even the production of art and literature – all are effected by this changing culture to the core. I think we can identify two main drivers for this change if we consider what the function of these mass-cultural phenomena had been in the past.

Enhances
speed of printing process
Retrieves
oral tradition, the committee

Medium:
Xerox
(could be “digital print as well”)
Reverses
everybody a publisher
Obsolesces
assemly-line book

The first I would call retribalisation (following the term used by McLuhan).
The concept of society was defined in opposite to community by Hermann Thönnies in his famous foundation of sociology “Gemeinschaft und Gesellschaft” in 1887. A community is tied together by something held in common – normally the fate shared by living in the same village. People living in a community know each other in person and information is distributed mostly by word of mouth. Thus oral culture and a common set of allegories give the ground for communication. The mass-alphabetisation brought the mass-society. The man of the crowd was coined by Edgar Allen Poe in his famous short story of this title in 1840. The actor of this modern, industrialised society is no longer a person, it is the individual. The characteristics of an individual can thus be derived from objectives that can be observed from outside. In the modern society of the industrial age, nearly everything you had to know to measure someone would have been their job. The goods that people would exchange became commodities. Mass media – which I shall use as an umbrella for all these topics lined up above – homogenise a society by reaching out to everyone simultaneously. Since the 1950, this has changed dramatically. Social strata or milieu would no longer account for consumption habits. Two individuals of the same socio-demographic profile might have completely different styles of living, preferences in music or consumer brands. What brings people together is no longer social position but to have something in common – the return of the community, but no longer defined by common destiny but much weaker, by some common interest that is highly dependent to the momentary mood and situation in which people find themselves. The Web is the perfect means to organise, inform and entertain such loosely knit communities globally.

The second was sketched by Bruce Sterling earlier: atemporality as he calls it; the end of the great narrative, end of progress, or even end of history. The consequences for creative artists that he sees are dire: the choice of re-arranging findings from the past, eclecticism or “the Gothic castle” as he calls this artistic approach, Punk, the bricolage. Or alternatively generative creation, aggregating small contributions of a large group of people; favela chic in Sterling’s words.

Both developments had been foresighted by some thinkers right after WWII. Most prominent are Herbert Marshall McLuhan and independently from him Vilém Flusser. Both see the decline of written word in favour of the rise of a new oral culture, globally organised in tribe-like structures, tied together by a common set of allegories. The breakup of copyright is the direct consequence to this.

The “solution” for writers? There isn’t one.‘ If we use the tetradic set of questions, shown above, on copyright we could get a glimpse on how copyright (and its projected fading away) may affect the publication process:

1. What does the medium enhance?
2. What does the medium make obsolete?
3. What does the medium retrieve that had been obsolesced earlier?
4. What does the medium flip into when pushed to extremes?

Copyright enhances private authorship and leads to a ‘bourgeois’ creative who is paid for his word. The dilettante, the aristocratic amateur enthusiast are rendered obsolete. The professional writer however shares some aspects with the scriptor, the cleric scholar who was funded by the monastery to perform his art. Regarding the forth tetradic questions: by the ecstasies of claiming ownership on intellectual property as seen in the plethora of cease-and-desists fired into the crowed by some corporations to claim their intellectual property rights against bloggers, or the “three-strikes-out”-initiative into which the European Commission was driven by the publishing industry’s lobbyists, the copyright, originally made to foster broad accessibility of knowledge, makes this knowledge less accessible again and creates elites, that still want (or are able) to afford to buy the publications. – Just to make it clear: I personally am opposed against the notion of regarding everything in the Net for free; but to see the consequences of this cultural development, we have to take a neutral angle. – I am convinced that the decay of the royalty-system for authors based on copyright is even accelerated by this effort to defend it.

Some hope might be found in long-tail distribution-systems like iTunes or Amazon which cut out the publisher and in theory directly connect the producers with their clients. But I think, that we already see the margin left for authors as well as the number of possible sales are to be expected to stay rather small. And at the same time, there is so much that can be obtained completely for free in the Internet, that to buy something becomes even less attractive. “The dark side of the free and open” is the decline of the classic publication economy, as Geert Lovink remarks. This leads to the end of handling publications as a commodity. How to make a living from non-commodity-production, from giving your work away for free? On the other hand: how many authors, musicians, composers etc. have been able to make their living by their arts in the past!

Nevertheless: walking down McLuhan’s tetrad, we can expect to get back into a culture of more or less sophisticated dilettantism as seen in most parts of the blogosphere. Small contributions, often highly specialised, often collaged and Punk-style, like Bruce Sterling describes in his post. But on the other hand, we see the return of the scriptorium. Corporate publishing, PR, corporate or brand storytelling; authors, writing to support their consultancy-work and other freelance businesses I would also take into this category. Both live-forms of the future-author, the dilettante and the scribe do no longer support the individual “artist-creator” who can be attributed as the sole author of his work and thus gets paid by royalties.

We will see publications and creations of art, perfectly adopted to the preferences and needs of very small communities; new publications emerging fast, drawn to existence by monitoring, google alerts and inspiration to write something through tweets, just noted by chance.

A possible form of organising these micro-publications is a content network, doing for content, what an ad network does for ads. Bringing all together, corporate publishing, advertising and the user’s still existing desire to get entertained and inspired, might even lead to some monetary compensation for the participating authors.

A second path could lead into creating a new area of public space in the Internet, funded by tax-like fees as to be seen in Europe’s public broadcasting landscape. This public space should be curated in a way, ensuring to maintain cultural productions of high class.

All told, I truly acclaim to Bruce Sterlings speculation: “we’re not gonna die of this, but man, the deeper 21st century looks like nothing anyone ever imagined.”

Further reading:
Memetic Turn
Modernism is our Classical Antiquity
The End of History – for Creative Professionals
Virtual Broadcasting

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TEX – Digital Typesetting

[Original Post in German]

Facsimile of the 42-line Gutenberg bible from the copy at Berliner Staatsbibilothek Preuss. Kulturbesitz. Peagant, NY 1964

“Gutenberg has in fact invented nothing: Already in the middle of the second millennium BC it would have been possible to print books in that sense. All technical requirements (presses, ink, page-like pads, also the art of casting negatives into metal) had been in place then. Nobody printed yet because they were not conscious that they would handle type when drawing letters.”Vilém Flusser, “Schrift”

The 42-line bible from Gutenberg’s printing shop is regarded as the first book to be printed with the newly invented book printing with movable type. Until today at least 48 copies have survived. The typography of this world-changing book is still viewed as one of the most beautiful to be typeset – if not the most beautiful.

Gutenberg’s typography shows in deed a significant difference to later typesetting: while later typesetters would use leading – small wedges of lead or brass – to adjust word-spacing to the length of the line, Gutenberg used in total 290 different types, several for each letter, differing slightly in width. In respect to the page layout, Gutenberg kept thus much closer to the manuscript than later typesetters; aesthetically superior but far less efficient.

Above and below: Typography of the famous font-designer Hermann Zapf – set with TEX (Images from http://www-cs-faculty.stanford.edu/~uno/).

When I studied mathematics in the early nineties, many of the newer lecture books were so ugly that I had difficulties to comprehend the content from these; the shabby quality of typography and reproduction in those times made the nerdy science maths even more unattractive. The reason for this decline in publication culture lies in the change from hot type to photo setting. In the modern setting machines – still partly mechanic or based on not-so-fast computers – it was not provided or just impossible to create such complicated formulae, multilined by indexes and superscripts, that characterise mathematics. So, usually it would be copying and binding simple computer prints or typewriter scripts with the formulae put in handwriting or drawn with a stencil. For the first time in 500 years the publishers departed from Gutenberg’s technology and some contemporary thinkers like Vilém Flusser even heralded the end of printing.

But not all books were that ugly. From time to time there appeared real pearls of typographic culture amongst the new editions – also in niche fields, in very small circulations, even with doctor or master theses there was a sudden surge in quality – at least regarding the look of the texts.

This is the merit of Donald E. Knuth:

His book “The Art of Computer Programming” gave the occasion for Donald E. Knuth to systematically explore digital typography. The result justifies the labour!

Knuth – on of the pioneers of computer programming – in a decade’s work had written a typesetting software, from which he requested at least the same power and quality as from the great Monotype hot-setting machines. The story of this software is told by Donald Knuth himself: disappointed by the bad quality of his book’s second edition, he had begun to work into typography and printing and not stopped before he would have been able to present the perfect solution – which he published under permissive Free Software Licence!

The notation of complicated formulae in TEX is easily to be learnt. The special characters are preceded by a \-tag. Superscripts and subscripts just come one after the other.

\sum makes the summation-sign Σ
\int the integral ∫
Greek letters likewise: \alpha makes α etc.
It is not difficult to create custom commands or macros in TEX – meanwhile there should be almost every alphabet of the world available as font for TEX

Here is an example for the simplified TEX-version built into Wikipedia: Riemann’s ζ-function.

In TEX-Code:

\zeta(s) = \sum_{n=1}^\infty\frac1{n^s} =1+\frac1{2^s} +\frac1{3^s} +\frac1{4^s} +\cdots

results in the image:

… or for s=2, with the famous relation to the circle:

\zeta(2) = \sum_{n=1}^\infty \frac1{n^2} = \frac{\pi^2}6

What is special about TEX in my view is not so much the easy to insert mathematical formulae into the text like engraved into steel. TEX typesets the pages in such an aesthetic way like the best hot-set compositors where able to do manually, and that with any type, font, symbol, right to left – just like the text would require.

Aside from the actual typesetting software, TEX comes with a tool for font management: METAFONT. Knuth represented – in difference from his predecessors – the letters not as bitmap, that means as grid of black and white squares, but describes the types as mathematical formula, as curves of functions. This approach is now followed by all typesetting systems – Adobe’s Postscript and pdf as well as Microsoft’s Truetype – with an important exception: in these the outline of the letter are prescribed by the curves, while Knuth prescribed the “stroke of a brush” – a centerline and the outline of the brush in the form of an ellipse.

“The Art of Computer Programming” by Donald E. Knuth is not only printed nicely but also bound nicely – cloth binding with thread-stiching, as it is good manners …

Typography was the most important and most demanding part of book production in all the five hundred years since Gutenberg. This had not been changed by the mechanisation with Linotype or Monotype – it was fine art to produce text with machines in a way that would at least cope with the value of the content. To command technology – and not the other way round – is as prevailing today as in Gutenberg’s time. TEX translates the essentials of this technology into digital media production.

After the content, good typography and layout are the second step, necessary for a valuable text. Then comes the actual production – from paper production, printing, to binding – respectively the display on screen – and the distribution. all theses steps pay into the value of a medium. In every of these carefulness is worthwhile.

“Never before, the progress has been so breathless as since the invention of the imaging contraptions.”
Vilém Flusser: “Schrift”

(the picture is taken from Donald E. Knuth, Digital Typography)

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Metaphysics, Speculation and Science

[Original German blog post]

The scientist looks through the objective – does this render his research objective?

The occasion for this post is a rather persistently held debate on Twitter, I would like to broaden my own points a bit. These touche only a part of this by and large amusing discussion that spun a much wider arc.

The basic motive of this conversation were the “Two Cultures”, how this complex of sciences vs. humanities is called since the famous text by Ch. P. Snow. I want to pin on two aspects, that I find worth telling in the context of Slow Media: the question of the value of metaphysics for the sciences. The second: my hope, that the publicity of sciences that has been changed so much by the Web and platforms like Wikipedia and Blogs with their comments, a “Third Culture” becomes possible.

This Twitter-discussion’s protagonists assumed the according roles in Snow’s play of the two cultures quickly; me – despite my own career – on the side of the humanities. Finally all would just dissolve in consensus, would not an issue have been risen, that immediately made obvious the deep divide between the two cultures: first, the question if the scepticism of the scientific method is to be used on their own foundations, and second – and this came as a complete surprise for me – by a quote that I twittered to illustrate the first point.

Ehlers: ‘ … But in the end the decision [to accept a new theory] is made using criteria on which both sides agree: the representatives of the older and the younger generations.’
Stichweh: ‘Is that always the case? I don’t know a single opponent of Darwin
who became convinced. They actually did die out, some time in the nineteenth century.’

From Reinhard Breuer, Michael Springer: The truth in science.
Interview with Jürgen Ehlers und Rudolf Stichweh. GENERAL RELATIVITY AND GRAVITATION 41, Nr 9, 2159-2167 (Originally published as Breuer, R., Springer, M. “Die Wahrheit in der Wissenschaft”, Spektrum der
Wissenschaft 7/2001)

Christian Huygens, “the most elegant mathematician of his time”, one of the most prominent figures of the enlightenment, had said in the context of Galileo’s defence: “The world is my country, science my religion.” I found this appropriate for our conversation. After that, the der consensus was not to be restored until the end of the discussion. Even a harsh tone came into the rhetoric and – I have sensed it this way, taking the counter positioning – the “scientist’s party” fell in figueres of “authenticity” (Eigentlichkeit), the images becoming almost geradezu martial. The snappishness by which the equalization of science with religion, deduced from the quote, was fought against, surprised me even more, when I was blamed, to insult the scientific side. In return I found myself as faithful catholic suddenly put on one level with creationists and other esoteric cranks.


First law of thermodynamics: What you gain in force you loose in distance. Even though it is tempting to transfer the physical images onto human society, like Francis Bacon had called for, things are not that simple …

After school I had no doubt to choose a scientific education. I studied mathematics and computer sciences. Like many of my fellows I was caught by the joy of data visualisation: it was the time of the “Fractal Geometry of Nature” by Mandelbrot and the invention of the graphic processor. Because of my knowledge in electronic data analysis I got a job in the Institute for Human Ethology in the Max-Planck-Gesellschaft at Andechs.

What was special with the team at this institute was the extraordinary, interdisciplinary mixture: zoologists (mainly ornithologists and primate experts) there were physicians, psychologists, linguists and even art historians. This was due to the research’s objective: human behaviour – from nonverbal communication (where I had landed) to languages, proxemics (behavior in a group) up to the whole repertoire of culture, art, architecture and especially music – the search was for what unifies men, what was universally valid, no matter which culture in the world had been watched, and what would be specific only for some people, evolved through adaptation to different environmental conditions. From the ethological method of comparative behavioural research I have been benefiting up to today – many research projects had been realised by Christiane Tramitz and me since then – although our severance from the Max-Planck-Institute did take place in a rather ungentle way.

In those days, some tropes borrowed from postmodernism and already sunken down to undergraduate seminars had been quite en vogue. Had the humanities’ mainstream in the preceding decade attacked the biologic research of men just as being part of bourgeois defence of power, now every reductionism, characterising the classic scientific method, was dispraised as construct. The arguments of those times had basically been quite harmless and hardly positioned to really disturb the research work – thus different from the class-struggle-rhetoric of the earlier years. As meanwhile graduated statistician I was anyway hardly to be frightened by postmodernism, had I not chosen a discipline dealing with getting and affirming knowledge out of data, afflicted by random or even better: derived from incomplete models.

Some colleagues however where effected in a hard way by this criticism, for this aimed on a pecular aspect of many human biological projects: from their alleged scientific hypothesis they derived ethical norms. Just the sociobiology, examining the behaviour of man under his conspecifics under biologic aspects is extremely prone to take its reductionism (“group”, “clan”, “people”, “culture” etc.) for real objects. I don’t want to go into the problems of postmodern anthropology and ethnology here. Another topic I had – so to say – to learn the hard way: these norms were not to be criticised, how I was told, because they had been obtained by scientific method. To make this clearer: it was a moral framework that could be called Darwinist in a broader sense. Darwinism – this may be stressed here – is not evolutionary thought, but a social teaching deviated from it. In this, a behaviour is morally judged good or bad, to what extent it helps men – individual or in a kin group – to give their genes to a next generation as numerous as possible; brought to its end this is the “nature, the cruel queen” in her realm – I think I do not have to get more explicit; so much for my career in biology

There is no escape from this logic, if you stay in this biological positivism; this is what is called “Dialectic of Enlightenment” since World War II. But their is a chance, not to slide into barbarism with enlightenment, namely by making a step outside.


Euclid’s Elements. By changing some of the axioms, that are pretended evident to our assumption, one does not get to antinomies but to new worlds: the non-euclikic geometry

Meta means behind, beyond, and metaphysics has been another space for thought, into which we may step back to look on the physis, the nature and think ponder on what comes after having watched nature.

Stichweh: ‘If I compare science with art or religion, from outside, then science is
different in the sense that it claims that its statements are true.. [...] Niklas Luhmann said that truth is science in a state of exhaustion.’
From Reinhard Breuer, Michael Springer: The truth in science.
Interview with Jürgen Ehlers und Rudolf Stichweh. GENERAL RELATIVITY AND GRAVITATION 41, Nr 9, 2159-2167 (Originally published as Breuer, R., Springer, M. “Die Wahrheit in der Wissenschaft”, Spektrum der
Wissenschaft 7/2001)

Metaphysics, this I have learned yesterday once again, is not rated high. But the question for meaning, for the essence of the unearthed scientific insight cannot be answered within the system itself. The “remaining risk” of civilian use of nuclear energy that its advocates happyly take for all men (no matter if these agree), the question if genetic engineering should be promoted, if climate change is a necessary evil of our civilisation or a crime – all are not scientific questions. Doubts with research were likly placated by politicians. “Discussion without blinkers” was the mantra of the so called Ethikrat in Germany – in plain text: stay away with your boring moral from our science!

“Limitation on cut-out, sharply isolated objects [...], by the desire for exactnes aspiring to create laboratory-like conditions – refuses not just temporaryly but in principle the dealing with the totality of society. This enails that the assertions of social research often carry the character of the fruitless, peripheral [...]. Unmistakably is there the danger of becominging petitfogging with stuff [...]. In the effort to keep to watertight data and by discrediting every question for essence as metaphysics, it is imminent for social research to remain limited to the inessential in the name of the undoubtably correct. Often enough their objects are dictated by their methods, …” Theodor W. Adorno, “Empirische Sozialforschung” in Gesammelte Schriften, 9.2

Speculation is a second metaphysical field closely tied to sciences. Speculation does not mean to get nailed down by the normative power of the presumingly factical. By speculating we look into a “mirror and view puzzling contours”. Just by getting up from immediate experience of the collected data and abstractly think farther, a shift in paradigm can be achieved.

“No difference should exist between an animal totem, the dreams of a visonary and the absolute idea. On the way to modern science men abandon meaning. They replace the idea with the formula, cause by rule and probability.” Theodor W. Adorno, “Dialektik der Aufklärung”.

By denying an external theory discussion in the sciences, science itself becomes dogmatic. I would not go as far as Adorno by accusing the sciences to have become myths in new clothes. But by contemptibly placing metaphysics, speculations and ethic founded on faith on the same level of irrationality as esoteric and idolatry in opposition to science, science wastes the chance to reflect on itself, to keep a critical distance.
***

But indeed there is a lot going on regarding the Two Cultures. On platforms like Wikipedia exponents of both blocks confront each other regularly and have to find consensus, if there effort should not lead to endless edit-wars. The arguments sit well documented and traceable on the discussion page. There is a considerable number of blogging researchers (both sciences and humanities). In the comments the positions can be negotiated in transparent way, like it had never been possible in the past. Opinions not shared can be criticised here; everyone can contribute and cross tie via links. This participating in scientific publicity was exclusively reserved to peer-review in the old days.

The good thing of this publicity: incomprehensible and arcane terminology has bad chances to stand the discussion; bad times to curl up, make your own bed and lie in it. An open system that is by its mere way of publication – available for everyone – invites to participate. I believe that thus a “Third Culture” will evolve – like Snow had hoped in 1959.


The quadrature of the circle: take a step back, out from the flat ring of ratios into the lofty field of real numbers (what metaphor!), the radius is put in relation to circumference easily.

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